The Anti-Onerous

Along with Wickie and some friends, I am in the process of instituting a fixed time each day to work on "onerous tasks." For me, this particularly includes my creative work, which I'd rather chew my arm off than do when I don't have an external threat/impending deadline/whatevra. I especially rarely want to work on creative projects alone, without constraints, something most filmmakers I know dream of doing 24/7. Anyhow, I am getting together with one or more fellow sufferers for an hour each morning to get cracking on these human-company-required-or-it-ain't-gonna-happen types of tasks. Today I storyboarded the SHIT out of a music video I am working on. Did the whole thing! One hour is so much more productive than four.

The importance of accents over E's.

My apologies for the delay in getting this up. I got bogged down writing a blog on ergodic literature (http://en.wikipedia.org/wiki/Ergodic_literature). Hope to get that to you later.

These are my recent radio meanders: since my iBook stopped accessing Pirate Cat Radio (http://www.piratecatradio.com/), I've been listening to Vegan Freak Radio (http://veganfreakradio.com/). Simultaneously, I been trying to find an anarchist podcast /radio show. I found Under the Pavement (http://www.underthepavement.org/) out of Manchester, England. But, so far, I've not heard any news from them, only some music some of which horrified me as it was bad almost American disco. In fact, I think it was both American and disco although they did have some good stuff in there too. No news or interviews yet. I can't say this is their fault as they are only every other week and 8 hours later than my time zone. Am currently listening to Radical Radio (http://radicalradio.org/). I can already feel my eyes (and my mind) glazing over. Even though I was once a member of Line of March, a Marxist-Leninist organization (http://en.wikipedia.org/wiki/New_Communist_Movement), even then (the 1980's), I was never really able to understand what the fuck people were talking about or keep my attention away from just wanting just slit my throat, get high, or just generally kill myself. Not that I have self-destructive tendencies. I just turned off Radical Radio and will turn back to Vegan Freak. I can listen to it (and do) for hours on end. I can actually do this since I am a latecomer to the podcast and have lots of back episodes to cycle through. Because of their podcast as well as some zine I seem to have recycled (FUCK!), I am aiming my brain towards the SHAC 7 (shac7.com/index.htm). What the hell is that mess all about?

On the book front, I have Thirteen Stories by Eudora Welty  (http://en.wikipedia.org/wiki/Eudora_Welty) on my chair (not that I've read them). "Why I Live at the P.O.," comes highly recommended. I have managed to eke my way through a few more pages of China Miéville's (http://wwwhttp://en.wikipedia.org/wiki/China_Mieville) Perdido Station. That brings me up to page 313, leaving me only approximately 400 pages to go. At this rate, I'll finish it in about five years. ARGH!!!! But a greater accomplishment than completing Perdido is my ability to place an accent over the "e" in China's last name. This is no small feat, especially since I have now launched Monstre Sacré my "handyman to the damned" service. More will be revealed on this at a later date.

My recent music interests have veered into The Residents (http://en.wikipedia.org/wiki/The_Residents) then stumbled across Lou Reed's (http://en.wikipedia.org/wiki/Lou_Reed) newest release (I think) Hudson River Wind Meditations. This last one, a huge departure for Reed, is great to listen to late at night. It started to feel like the soundtrack to some crazed slasher movie, although I might be a rarity in making this connection to this "new age" effort of Reed's as I find most things menacing.

There are many more things I could dive into, as I suffer from obsessions, but I have to get this fucking up.
Wickie

OK, so I'm obsessed.

Fugue State update and Homemade Superheros

Jed and I have been madly (and I don't use the word loosely) producing Fugue State, my work-in-progress. A staged reading which Jed directed, this project just premiered to sold-out audiences here in San Francisco. Now, we're at it again, doing a two-night run at The Garage aka 975 Howard (ttp://www.975howard.com/) here in SF. The dates for our encore run are Weds. and Thurs. July 30 and 31st at 8 p.m. If you're in the 'hood check us out especially since the more people we get to show up the more we can pay everyone! Tix are cheap: $15 and $10 at the door. We'll also be showcasing parts of Fugue State at the SF Fringe Festival in September. So check out their website once we're closer to that date: http://www.sffringe.org/.

Jed was also busy working with Rocco a.k.a. Katastrophe (http://www.katastropherap.com/bio.html) on Homemade Superheroes (http://www.sfstation.com/home-made-super-hero-e346071). An amazing one-time show, according to SFStation.com Homemade Superheroes "draws a parallel between the double life of a super hero to the experience of a transperson." Jed did an incredible job on the animation for the project which was synced to Rocco's styling lyrics.

That'll do it for now.

The project

Last summer I applied for a grant through the Queer Cultural Center (http://queerculturalcenter.org). Per usual, I need money. My project was to bring to life some of my characters from Fugue State my novel-in-progress. The impetus behind my application was lack of funds, the usual artist/writers state of affairs. I hadn't really thought about the project much. Actually, I heard someone at the required grant meeting, say that's what they were going to do. Sounded good and fundable. So I submitted my grant thinking that if I got the money, I'd pull something together for Queer Fest which was the venue for the grant. Well, in lieu of a grant, I was offered AIRspace, an artist-in-residency. On that day, last November, when I said yes I had no idea I'd be entering the writer's fifth circle of hell...

Watching

Back in the dark and muffled sounds. Am practicing what was suggested: a period of stillness that has a length of about a half hour, then directly to writing. I am usually anchored in a tiredness that I am more familiar with than any other person, place of thing in my life. Oh well. It is as though I have to be plugged into because in there somewhere is the sourcing for my work. Speed in every machination you can apply here: methedrine, caffeine, excessive work, adrenalized relationships have merely postponed or rather suspended my return to...this. Perhaps I am just in a long, deep lifelong droop. Answer seems to be surrender into it which is like a giving way to quicksand. Perhaps this is why, as a kid, I was obsessed with and terrified by movie and TV scenes in which characters stumbled into quicksand. I'd study how they got out (not that they ever did or at least rarely). Holding onto branches, desperately grasping at ropes thrown to them. "Don't struggle, don't fight it," I heard someone or something tell me. So, except for two pots of black tea a day, I don't. I just sink. Into the still, heavy, thickness. Eyes barely open. I am half there in the dark. A pair of eyes, in a body. Staring out. Like all the other creatures in here. Some friendly, most not. Predatory, but still. Half dimmed. Until something or someone of interest enters into our range of vision. Then, we'll see.

Head Wound Podcast #4